1. komponenta

Lecture type	Total
Lectures	45
Seminar	15

* Load is given in academic hour (1 academic hour = 45 minutes)

The aim of the course is to familiarize students with the artistic production of the second half of the 20th century as well as the current state of artistic and the broader cultural production, through a series of lectures and seminar papers, This applies both to global as well as Croatian art. The objective of the course is to acquaint students with the relevant literature that systematizes and interprets this period. Furthermore, the aim of the course is to refer students to additional literature necessary for understanding and completing particular educational units and to broaden their knowledge of them. In order to achieve direct with artistic work and to get deeper insights into it, the goal of the course is to organize a form of fieldwork teaching as well (held in museums, galleries and public urban spaces).

1. Pojmovnik moderne i postmoderne likovne umetnosti i teorije posle 1950, Miško Šuvaković, Prometej, Novi Sad, 1999.
2. After modern art, 1945-2000, David Hopkins, Oxford University Press, Oxford, 2000.
3. Relational Aesthetics, Nicolas Bourriaud, Les presses du réel, Pariz, 2002.
4. Bio-Art, From Genesis to Natural History of the Enigma, Eduardo Kac, Imagery in the 21st Century (urednici: Oliver Grau, Thomas Veigl), MIT Press, Cambridge MA, 2011.
5. Art in Europe 1990-2000, Gianfranco Maraniello (ur.), Skira, Milano, 2002.
6. Socijalizam i modernost: umjetnost, kultura, politika 1950.-1974, Ljiljana Kolešnik (ur.), Muzej suvremene umjetnosti; Institut za povijest umjetnosti, Zagreb., 2012.
7. Umjetnost konstruktivnog pristupa: EXAT '51 i Nove tendencije, Jerko Denegri, Horetzky, Zagreb, 2000.
8. Gorgona, katalog izložbe, Nena Dimitrijević, Galerija suvremene umjetnosti, Zagreb, 1977.
9. Inovacije u hrvatskoj umjetnosti sedamdesetih godina, katalog izložbe, Marijan Susovski (ur.), Galerija suvremene umjetnosti, Zagreb; Muzej savremene umetnosti, Beograd, 1982.
10. Nova umjetnička praksa 1966-1978., katalog izložbe, Marijan Susovski (ur.), Galerija suvremene umjetnosti, Zagreb, 1978.

1. Movements in art since 1945 new edition, , Edward Lucie-Smith, Thames & Hudson, London, 2001.
2. Concepts of modern art, from fauvism to postmodernism, , Nikos Stangos (ur.), Thames & Hudson, London, 2001.
3. Conceptual Art, , Tony Godfrey, Phaidon Press, London; New York, 2001.
4. POP ART, , Lucy R. Lippard et al., Jugoslavija, Beograd, 1977.
5. FLUXUS CODEX, , Jon Hendricks, Harry N. Abrams, Inc., Publishers, New York, 1995.
6. Zero to Infinity: Arte Povera 1962-1972, , R. Flood, F. Morris et al., Walker art Center, Minneapolis; Tate Modern, London, 2001.
7. Pedesete godine u hrvatskoj umjetnosti, katalog izložbe, , Zvonko Maković (ur.), Iva Radmila Janković (ur.), Numen (ur.), Dom hrvatskih likovnih umjetnosti, Zagreb, 2004.
8. Hrvatska likovna kritika 50ih, Izabrani tekstovi, , Ljiljana Kolešnik (ur.), Društvo povjesničara umjetnosti Hrvatske, Zagreb, .
9. Gorgona: monografija, , Marija Gattin et al., Muzej suvremene umjetnosti, Zagreb, 2002.
10. Grupa šestorice autora, katalog izložbe, , Janka Vukmir (ur.), SCCA, Zagreb, 1998.
11. Između Istoka i Zapada: hrvatska umjetnost i likovna kritika 50-ih godina, , Ljiljana Kolešnik, Institut za povijest umjetnosti, Zagreb, 2006.
12. Primary documents: A Sourcebook for Eastern and Central European Art Since the 1950s, , Laura Hoptman (ur.), Tomaž Pospiszyl (ur.), MIT Press, Cambridge MA, 2002.
13. East Art Map: Contemporary Art and Eastern Europe, , IRWIN (ed.), An Afterall Book, Central Saint Martin College of Art and Design, University of the Arts, London, 2006.
14. Contemporary Art: World Currents, , Terry Smith, Laurence King Publishing, London, 2011.

Mandatory course - Regular studij - Art History